He put a hand on either side of his head and rocked himself to and fro, droning to himself like a child whose grief has got beyond words.

Sherlock Holmes sat silent for some few minutes, with his brows knitted and his eyes fixed upon the fire.

“Do you receive much company?” he asked.

“None save my partner with his family and an occasional friend of Arthur’s. Sir George Burnwell has been several times lately. No one else, I think.”

“Do you go out much in society?”

“Arthur does. Mary and I stay at home. We neither of us care for it.”

“That is unusual in a young girl.”

“She is of a quiet nature. Besides, she is not so very young. She is four-and-twenty.”

“This matter, from what you say, seems to have been a shock to her also.”

“Terrible! She is even more affected than I.”

“You have neither of you any doubt as to your son’s guilt?”

“How can we have when I saw him with my own eyes with the coronet in his hands.”

“I hardly consider that a conclusive proof. Was the remainder of the coronet at all injured?”

“Yes, it was twisted.”

“Do you not think, then, that he might have been trying to straighten it?”

“God bless you! You are doing what you can for him and for me. But it is too heavy heavy a task. What was he doing there at all? If his purpose were innocent, why did he not say so?”

“Precisely. And if it were guilty, why did he not invent a lie? His silence appears to me to cut both ways. There are several singular points about the case. What did the police think of the noise which awoke you from your sleep?”

“They considered that it might be caused by Arthur’s closing his bedroom door.”

“A likely story! As if a man bent on felony would slam his door so as to wake a household. What did they say, then, of the disappearance of these gems?”

“They are still sounding the planking and probing the furniture in the hope of finding them.”

“Have they thought of looking outside the house?”

“Yes, they have shown extraordinary energy. The whole garden has already been minutely examined.”

“Now, my dear sir,” said Holmes. “is it not obvious to you now that this matter really strikes very much deeper than either you or the police were at first inclined to think? It appeared to you to be a simple case; to me it seems exceedingly complex. Consider what is involved by your theory. You suppose that your son came down from his bed, went, at great risk, to your dressing-room, opened your bureau, took out your coronet, broke off by main force a small portion of it, went off to some other place, concealed three gems out of the thirty-nine, with such skill that nobody can find them, and then returned with the other thirty-six into the room in which he exposed himself to the greatest danger of being discovered. I ask you now, is such a theory tenable?”

So he put his overcoat over his knee, and studied some music he had bought in Milan: some Pergolesi and the Scarlatti he liked, and some Corelli. He preferred frail, sensitive, abstract music, with not much feeling in it, but a certain limpidity and purity. Night fell as he sat reading the scores. He would have liked to try certain pieces on his flute. But his flute was too sensitive, it winced from the new strange surroundings, and would not blossom.

Dinner sounded at last—at eight o’clock, or something after. He had to learn to expect the meals always forty minutes late. Down he went, down the long, dark, lonely corridors and staircases. The dining room was right downstairs. But he had a little table to himself near the door, the elderly women were at some little distance. The only other men were Agostmo, the unshapely waiter, and an Italian duke, with wife and child and nurse, the family sitting all together at a table halfway down the room, and utterly pre–occupied with a little yellow dog.

However, the food was good enough, and sufficient, and the waiter and the maid–servant cheerful and bustling. Everything felt happy–go– lucky and informal, there was no particular atmosphere. Nobody put on any airs, because nobody in the Nardini took any notice if they did. The little ducal dog yapped, the ducal son shouted, the waiter dropped half a dozen spoons, the old women knitted during the waits, and all went off so badly that it was quite pleasant. Yes, Aaron preferred it to Bertolini’s, which was trying to be efficient and correct: though not making any strenuous effort. Still, Bertolini’s was much more up to the scratch, there was the tension of proper standards. Whereas here at Nardini’s, nothing mattered very much.

It was November. When he got up to his far–off room again, Aaron felt almost as if he were in a castle with the drawbridge drawn up. Through the open window came the sound of the swelling Arno, as it rushed and rustled along over its gravel–shoals. Lights spangled the opposite side. Traffic sounded deep below. The room was not really cold, for the summer sun so soaks into these thick old buildings, that it takes a month or two of winter to soak it out.—The rain still fell.

In the morning it was still November, and the dawn came slowly. And through the open window was the sound of the river’s rushing. But the traffic started before dawn, with a bang and a rattle of carts, and a bang and jingle of tram–cars over the not–distant bridge. Oh, noisy Florence! At half–past seven Aaron rang for his coffee: and got it at a few minutes past eight. The signorina had told him to take his coffee in bed.

Rain was still falling. But towards nine o’clock it lifted, and he decided to go out. A wet, wet world. Carriages going by, with huge wet shiny umbrellas, black and with many points, erected to cover the driver and the tail of the horse and the box–seat. The hood of the carriage covered the fare. Clatter–clatter through the rain. Peasants with long wagons and slow oxen, and pale–green huge umbrellas erected for the driver to walk beneath. Men tripping along in cloaks, shawls, umbrellas, anything, quite unconcerned. A man loading gravel in the river–bed, in spite of the wet. And innumerable bells ringing: but innumerable bells. The great soft trembling of the cathedral bell felt in all the air.